Episodes
Thursday Mar 10, 2022
New Tools, Ancient Craft - An interview with composer Hamish Ander
Thursday Mar 10, 2022
Thursday Mar 10, 2022
On this episode, I speak with a young composer of new orchestral music, Hamish Ander. Hamish joined me from Melbourne, Australia where he uses modern music technologies to bring new orchestral music to life. He and I met through a mutual friend, and I was immediately impressed by his ability to create convincing simulacra of orchestral performances. He uses a keen, classically-trained ear to navigate complex modern music technologies. In addition to creating his own new musical works, he helps other composers get a realistic snapshot of orchestral music without the massive investment of hiring a live ensemble. His is a refreshing and genuine emerging musical voice and I know you will enjoying hearing him share about his journey into classical music on this episode. For my composer friends, if you'd like to connect directly with Hamish to help with your work, please send me an email at salutations@gustavhoyer.com and I can connect you directly.
Friday Sep 24, 2021
Creating Modern Masterworks - An Interview with Composer Peter Boyer
Friday Sep 24, 2021
Friday Sep 24, 2021
In this episode, I am honored to welcome composer Peter Boyer to the Anachronism podcast.
Peter and I recorded this interview shortly before the highly successful premiere of his newest work, Balance of Power, upon which we touched in our discussion:
https://www.washingtonpost.com/entertainment/music/lang-lang-kennedy-center-nso-concert/2021/09/19/5e146496-1945-11ec-8380-5fbadbc43ef8_story.html
Peter and I crossed paths in conservatory at the Hartt School in Connecticut when we were students. He has gone from there to become one of the most frequently performed American orchestral composers of his generation. His works have received over 500 public performances by nearly 200 orchestras, and thousands of broadcasts by classical radio stations around the United States and abroad. He has conducted recordings of his music with three of the world’s finest orchestras: the London Symphony Orchestra, the Philharmonia Orchestra, and the London Philharmonic Orchestra. He has received commissions from several of the most esteemed American institutions and ensembles, including the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President’s Own” United States Marine Band. Other orchestras which have performed his music include the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra.
We talk about how he got started writing 'classical' music and he shares some of the human side of his journey with orchestral music. I know you'll be enriched by our discussion.
You can learn more about him and his work at https://propulsivemusic.com
- Photo of Peter Boyer courtesy of Danika Singfield.
Friday Sep 10, 2021
Phi - The Golden Proportion
Friday Sep 10, 2021
Friday Sep 10, 2021
We are back with some active listening. In this episode, I share a recent release, Phi.
Spotify: https://open.spotify.com/track/1djFGNxniWf98LWVO1w5Wk
Apple: https://music.apple.com/us/album/phi-feat-peter-pejtsik-the-budapest-film-orchestra/1563857077?i=1563857078
This orchestral work derives its name from its structural reliance upon a special mathematical relationship known by the greek letter that denotes it. This musical ratio has a long history of influence in the arts, and its manifestations in the natural world are ubiquitous. You'll note the nautilus shell in the album art...there's one clue for you. You can read about Phi and the Golden Proportion (aka the Golden Ratio or Golden Mean) here:
https://en.wikipedia.org/wiki/Golden_ratio
To help you hear the structure of this piece, I share a poem that is built upon the same structural approach. You will hear Phi in words and music on this episode.
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Saturday Mar 13, 2021
Gazing into the heavens with Gustav Holst
Saturday Mar 13, 2021
Saturday Mar 13, 2021
On this episode, I share insight into my latest release Terra, the Bringer of Life. It was written for a special series of concerts commemorating the 100th anniversary of Gustav Holst's The Planets. I share snippets of the arrangement and line them up with Terra.
Spotify:
https://open.spotify.com/track/6CY1MNTjfMqpMWydSthnya?si=16b5984ec28241ad
Apple Music:
https://music.apple.com/us/album/terra-the-bringer-of-life-single/1552408114
Saturday Mar 06, 2021
Saturday Mar 06, 2021
In part two of my conversation with Steve, we turn out attention to his work as a composer and how it was that 'classical' music entered his life. I had the pleasure of co-producing concerts in LA with Steve in 2009-2010. Here's a link to our performance of his work, With You Always
Composer Richard Wagner
Saturday Feb 20, 2021
Saturday Feb 20, 2021
This is the first of a two-part conversation with filmmaker and composer, Stephen Ashley Blake. In this episode, we discuss his current film project, Steal Away. https://stealawaymovie.com/
It is the story of how the Fisk Jubilee Singers brought the music of the Spiritual to the world. The influence of their legacy has touched almost every form of modern music making around the world. We talk about the film and the singers' legacy.
Here are links to some of what we touch on:
The book that inspired the film Dark Midnight When I Rise
The Cubism of Picasso https://en.wikipedia.org/wiki/Cubism
Black Historian W.E.B DuBois' work The Souls of Black Folk
Composer Billy Childs' chamber jazz piece Scarborough Fair
Saturday Feb 06, 2021
Learning to play a masterpiece - An Interview with Pianist Benjamin Harding, Part2
Saturday Feb 06, 2021
Saturday Feb 06, 2021
It was a year ago that Benjamin and I spoke about his fine piano artistry on my album, The Gilded Age. In this second half of our conversation, he plays a bit of music for us and gives us a look inside Liszt's monumental Piano Sonata in b-minor.
You can connect with Benjamin on Instagram (@bhardingmusic), facebook ( https://www.facebook.com/benjamin.harding) and his website www.benjaminhardingmusic.com/blog
Tuesday Jan 26, 2021
Tuesday Jan 26, 2021
It was a year ago that Benjamin and I spoke about his fine piano artistry on my album, The Gilded Age. With a strange year for so many of us, I wanted to reach back to him to catch up. In this episode he shares an up-close look at the challenge of learning a really challenging piano masterpiece (Franz Liszt's b-minor Piano Sonata), and shares his thoughts about it. We get a glimpse of the technical and emotional challenges such a works presents. I divided our discussion into two parts. In part 1, we discuss a little bit about how life has changed for performers in the last year, and we dive into the piece.
You can connect with Benjamin on Instagram (@bhardingmusic), facebook ( https://www.facebook.com/benjamin.harding) and his website www.benjaminhardingmusic.com/blog
Anchronism: Describes something or someone who is not in their proper time or chronological surroundings.
As a composer, I have often felt that am a bit of an anachronism. I am lover of the European instrumental music tradition or something we refer to as the classical music tradition. Classical music represents an enduring art form, a rich counter cultural expression that is a bit out of it’s time.
Today, there is a community of people to who treasure this music and believe it speaks somehow to eternal human needs and interests and that it transcends time and technology. Learning how to listen to this music is as important as learning how to compose or perform it. That’s what this podcast is about.
Join me as we explore people and music in our time who share the frustrations of modern society and yet fill their lives with this organic music of a bygone era.
I am Gustav Hoyer and I am a composer. Welcome to the Anachronism podcast.